A Retrospective Of 2022’s Best & Worst (Part 2)
Now it’s time for the negativity. The stuff I least enjoyed reviewing. I’ve sandwiched this part between two positive articles, so we don’t end this retrospective on a low note.
By Brandon Scott on Dec 28th, 2022
Now it’s time for the negativity. The stuff I least enjoyed reviewing. I’ve sandwiched this part between two positive articles, so we don’t end this retrospective on a low note.
By Brandon Scott on Dec 26th, 2022
I’ve written many articles this year and reviewed piles of movies, tons of shows, and even a few books. And while a lot of media flees my memory once I’m done reviewing it, a few things were so good and memorable that they’ve stuck with me throughout the year. And in the same vein, some media pieces were so disappointing that I still wish for a better version.
By Brandon Scott on Dec 21st, 2022
Klaus is a heartwarming, magical, wonderful film that does what the best Disney and Pixar movies manage and is instantly a classic.
By Brandon Scott on Dec 14th, 2022
When you watch as many things as I do and go out of your way to analyze them, you find a lot of flaws. Even stuff people normally like have landed with a flat nothing for me. Maybe I’m jaded or simply know too much about plot structure. But the upside is when I find something transcendentally good, the experience is all the better. Sometimes, it can make my entire week.
By Brandon Scott on Dec 12th, 2022
Wednesday is such an odd project conceptually. If you told me a few years ago that Tim Burton would direct a new show about The Addams Family that starred Wednesday in a paranormal high school and barely featured Morticia and Gomez—at least in its first three episodes—I would’ve called it a blatant nostalgia grab.
By Brandon Scott on Dec 7th, 2022
Hamster & Gretel hit my radar for one reason: it was made by Dan Povenmire. You likely know his voice and creations, even if you don’t know his name. He’s part of the team that made Phineas and Ferb, and he voices Dr. Doofenshmirtz.
By Brandon Scott on Dec 5th, 2022
This interconnectivity, this familiar exploration, would have been enough to carry a movie. But The Mitchells vs the Machines still has two more things to cover.
By Brandon Scott on Nov 30th, 2022
It’s one day before December, but everyone who celebrates it already knows it’s Christmas time. There’s no escaping, and there’s no point in delaying it. So, we’re looking at Mickey Saves Christmas, a short special that disappointed me for reasons entirely my fault.
By Brandon Scott on Nov 28th, 2022
Dark Harvest is a novella from 2006 I oopsed into reading because I wanted something short and spooky for October—and then only finished it a few days ago. And now, having discovered that it’s getting a film adaptation that appears to be trapped in some bureaucratic/logistical hell and will come out eventually, it seemed a perfect book to give a review.
By Brandon Scott on Nov 23rd, 2022
It is well-established that Phineas and Ferb is amazing and worthy of a lot of praise. And, with great enthusiasm, I say Candace Against the Universe is more of the same.
By Brandon Scott on Nov 21st, 2022
Wendell & Wild, out the gate, was something I knew I would review. A Henry Selick involved, stop-motion, punk-music soundtrack-ed, children’s horror movie co-written by Jordan Peele—are you kidding me with this? It’s no secret that Coraline is one of my favorite movies, and it’s widely known how much I like horror and macabre stuff.
By Brandon Scott on Nov 7th, 2022
Lightyear is a movie I didn’t want. I count on Pixar to do new things, and in my mind, Toy Story ended with its third installment, and there shouldn’t be more of it. And no, I haven’t seen the fourth one. But now that I’ve watched Lightyear, I shouldn’t have doubted Pixar as much as I did.