The Mistholme Museum of Mystery, Morbidity, and Morality is, for one thing, the piece of media with the longest title I’ve possibly ever reviewed. It’s also a podcast series with a premise I love. Though I have no idea how well Warehouse 13 holds up in quality or how well it has aged with its content since 2009, I used to be a massive fan of that series, and The Mistholme Museum feels like its cousin.
The Domestic Life of Anthony Todd puts me in an interesting conundrum. The early episodes have a negative quality that, as the story continues, turns out to be intentional and basically a plot point. But that didn’t make the first few episodes not annoying for its inclusion. Mulling it over almost becomes a question of artistic intent over general podcasting practices. Is it a good inclusion if it serves the story but risks the impatient listener simply bouncing off?
Time for the second, much more powerful of the Historic Brawl decks I promised: Elf Ball. A deck that seeks to overrun the opponent with lots of creatures pumped to absurd power by Craterhoof Behemoth.
Luca serves as another reminder of why Pixar has the reputation it does. Yes, stuff like The Good Dinosaur and the Cars franchise unsettled that a little, making it guesswork if the newest Pixar movie will be worth the time, but Luca is worth the time.
Nimona hit the media landscape with such explosive power that avoiding spoilers was difficult. A stylized, bombastic, irreverent sci-fi fantasy mashup with an animation style reminiscent of Spider-Verse and Puss in Boots: The Last Wish has become a winning combination, practically guaranteed to get the attention of the critic community, and I’m no different. The question of Nimona was when I would review it, not if I would.
Even after watching the first three episodes, The Bureau of Magical Things feels like a show that doesn’t exist. A hypothetical series a nerdy character might watch in the background of a scene. I’ve heard no one discuss The Bureau of Magical Things, reference it, or allude to it anywhere online in critic circles, yet it has all the trappings of a show that people make video essays about.
So, here we are: The end of The Owl House. Perhaps my all-time favorite animated series. I wish the third season had been more, had been an actual season, but this is the next best thing.
Let’s get two things out of the way regarding Dungeons & Dragons: Honor Among Thieves. First off, I know some stuff about the game, but I’m not a hardcore TTRPG player. I got some of the abundant references—but a lot of them went right over my head, and my criticisms may be affected or skewed in some way by this. And second, it needs to be acknowledged from a pop culture history standpoint how cool it is that this film exists at all.
I’m late to the party to review Thor: Love and Thunder. So late that I’ve been spoiled somewhat by consensus. Going in, I knew people didn’t like the goats and that the comedy was apparently overbearing.
Puss in Boots: The Last Wish has no business being as good as it is. The movie was barely on my radar until I heard it had an Oscar nomination.
Almost two years ago to the day, I reviewed Kid Cosmic. I said I wasn’t planning on continuing the show. Well, apparently, I lied. While eating dinner one day, I pulled it up and basically binged.
The School for Good and Evil is a fun fantasy movie with a surprising amount of narrative depth while also being goofy, self-indulgent, and occasionally seriously questionable. I’ll spend some time ragging on it, mostly for its botched train wreck of an ending, but if you want an escapist movie full of fairy tale shenanigans, this has some promise. Read the whole review to see what I mean.
