The Magnus Protocol Reviews: “Legacy Issues”
Jul 22, 2026
It Came From The Archives: “Thunderbolts*: Bleak But Amazing”
Jul 15, 2026
SciFi IRL: From Indie to Epic
Jul 13, 2026
The Doomies: A New Spooky Kid Show
Jul 8, 2026
Hoppers: Actually Hilarious
Jul 1, 2026
SciFi IRL: How NPCs Become Characters That Know YOU
Jun 29, 2026
The Top 10 Best Marvel Super Heroes Cards
Jun 24, 2026
Sci-Fi IRL: The Holodeck Is Getting Smarter
Jun 22, 2026
It Came From The Archives! “StuGo: An Absurd Cartoon”
Jun 17, 2026
Iron Lung: Almost A Great Cosmic Horror Film
Jun 10, 2026
Widow’s Bay: Flawed Horror Comedy
Jun 3, 2026
Project Hail Mary: You Owe Yourself To See It
May 27, 2026
It Came From The Archives! “Pluribus: The Best Sci-Fi Concept In Years”
May 20, 2026
The Ballad of Songbirds & Snakes Is Important
May 13, 2026
Something Very Bad Is Going to Happen Is Not Lying
May 6, 2026
I’m glad to have The Magnus Protocol back with “Legacy Issues.” Lord knows that was a long hiatus. But I’m also unhappy with “Legacy Issues” because, after so long a wait, why is this the episode that we get?
Thunderbolts* is a movie I don’t think about anymore, but every time I’m reminded of it, (like when I’m looking for something to pull out of the Archives) I remember how much I liked it.
Why “Independent” Doesn’t Have to Mean “Small” Anymore For more than 20 years, I’ve worked with independent artists in music, film, television, visual art, fashion, and plenty of places in between. I’ve seen the same painful pattern over and over. Someone has talent. They have ideas. They may even have the connections to get in…
The Doomies falls under a growing subset of shows, at least in my experience. A new slew of creatives are trickling into the industry, some of them my age or—more likely—younger, and with them comes reexaminations of classic tropes and storylines while still making things ultimately of very similar ilk to what came before. History, even in art, rhymes.
Hoppers is exquisitely weird. It starts off with very familiar patterns to many, many Pixar movies. Its most direct connection being Up. We have a main character who lost someone dear to them who is heavily associated with a specific location that is then threatened by some external force. The main character is then given a goal (with a deadline) that, if they succeed, will let them save their beloved space.
For most of gaming history, non-player characters have had a job to do. They give you quests. They sell you gear. They deliver important lines of dialogue. But even the best-written NPCs usually operate inside boundaries we can feel.
Initially, while making this list for Marvel Super Heroes, I was worried. The monocolored cards were rough pickings for top ten options. Lots of characters I like, but all but a few cards were unimpressive for Standard play. When I went over it all, I only had half a list. But with the multicolored cards, the list rounded itself out easily.
For decades, science fiction promised us the Holodeck: a place where worlds felt real, characters felt alive, and every choice mattered. The first real steps toward that vision did not come from virtual reality headsets. They came from video games.
I don’t have that much to say about StuGo. Some cartoons are made with an adult audience as possible viewers, weaving in more intense plots for fandoms to form. You know them by name, if not by experience. Avatar: The Last Airbender. The Owl House. Gravity Falls. This show is not that, at least not within the first three episodes.
I watched Iron Lung at an odd time. Within the last few months, I’ve seen both Project Hail Mary and Ash, and in a way Iron Lung could be described as a combination of both those movies, taking the cosmic horror from one, and the lone person trying to help investigate an apocalyptic problem from the other.
Widow’s Bay is a horror sitcom. I watched the first three episodes, and I was struck by how it’s a perfect encapsulation of both genres. Each episode starts with a sitcom plotline and then, by the end, has become a horror scenario. And the most impressive part is that it’s good at being both. I laughed often and was spooked out.
Project Hail Mary is a technical wonder. The movie will stick in the mind of its viewers (me included) because of its emotional buddy-duo adventure section, but it cannot be understated how impressive this movie is from both a movie-making technical level (meaning sets and camera work) and from a writing perspective.
