Star Wars: Maul – Shadow Lord Is Good Star Wars
Apr 29, 2026
It Came From The Archives! “Wolf King Is One Of The Worst Fantasy Cartoons”
Apr 22, 2026
Top 10 Best Secrets of Strixhaven Cards
Apr 15, 2026
Mike & Nick & Nick & Alice: Snark And Violence
Apr 8, 2026
Wicked: For Good Is Bad
Apr 1, 2026
It Came From The Archives! “Wicked: A Bombastic Delight”
Mar 25, 2026
The Astronaut: Terrible At Everything It Tried
Mar 18, 2026
Ash Takes A Long Time To Be A Good Movie
Mar 11, 2026
10 Best MTG: Teenage Mutant Ninja Turtles Cards
Mar 4, 2026
It Came From The Archives! “Crypt of the Moon Spider: Overstuffed Horror”
Feb 25, 2026
Cleopatra in Space: A Show That Somehow Exists
Feb 18, 2026
Starfleet Academy Brings SciFi Life To Old Tropes
Feb 11, 2026
It Came From The Archives! “Hello Tomorrow! Doesn’t Need Its Gimmick”
Feb 4, 2026
Wonder Man: Excellently Acted
Jan 28, 2026
Extraordinary: A Refreshingly Good Comedy
Jan 21, 2026
Star Wars: Maul – Shadow Lord is so good it’s actually a little difficult to review. I can recall when the first Clone Wars animated series came out, and to see the constant evolution since then has been stunning. Even the much more recent Star Wars: Tales of the Underworld cannot match Maul’s excellence.
I’ll admit—though it’s not exactly a secret—that I sometimes like doing negative reviews. I don’t typically seek out movies/shows because I think they’ll be bad, but I’m not unhappy when it happens.
Thank God for Secrets of Strixhaven. Standard needed a shakeup, and I needed an Izzet (fine, Prismari) deck to play that actually focuses on casting lots of spells and drawing lots of cards.
Mike & Nick & Nick & Alice is an odd movie. Full of so many very deliberate choices. I cannot confirm this, but I couldn’t help but feel the creators were going for a very specific homage, or were perhaps trying to replicate a distinct director’s style.
Not to use the most obvious joke ever twice, but Wicked: For Good is bad. Many of the things that made the first movie (possibly) my favorite film musical is still in this sequel, but there’s something deeply crucial missing.
Wicked (part one) is a lush, spectacular, wonderful experience of a movie. It captures the delightful energy of live theater and has so many incredible scenes. I’ve had several of its songs stuck in my head since I watched it, and I wouldn’t have it any other way.
The Astronaut tricks you into thinking it’s a good movie. It’s not. God, is it not. I haven’t had a movie disappoint me so deep into its runtime in forever. The opening scenes hook you in with a cool mystery and then plays with expectations in a way that suggests solid writing is yet to come…and then it all goes speeding downhill.
Ash is a good movie in hindsight. The plot is full of interesting ideas and has lots of fun clues to analyze after the fact (though bright lights/flashing warning). But the first parts of the movie—despite its best efforts—are fairly dull for anyone who has some experience with horror storytelling.
Teenage Mutant Ninja Turtles Has Big Interactions Teenage Mutant Ninja Turtles is a weak set, all told. As I went through the cards (and yes, I read every main-set card) I was only really impressed by the synergies, not the individual pieces. And while synergies are great for Magic, they don’t work well for a…
I went into Crypt of the Moon Spider not knowing two important things about it. The first is that it’s not a monster story, not really. It’s a medical horror book tinged with cosmic horror elements.
Cleopatra in Space is baffling on every level. Someone with deep pockets or a large group of people clearly loves this idea/story/concept so much that they have thrown an inordinate number of resources at it.
I wonder if episodes of Starfleet Academy took Star Trek concepts and tried to find ways to make them fit into generic college/high school plots, or if the show started with those tropes and then figured out how to make them fit the world building.
