Ms. Marvel: A Delightful Suprise
Aug 8, 2022
Friday Fiction: Join the Marionettes (Part 3 of 5)
Aug 5, 2022
I Am In Eskew: A Cosmic Nightmare Lullaby
Aug 3, 2022
Trailer Talk: 3 New Awesomely Nerdy Trailers
Aug 1, 2022
Friday Fiction: Join the Marionettes (Part 2 of 5)
Jul 29, 2022
Everything Everywhere All at Once: Beyond Amazing And Beyond Incredible
Jul 27, 2022
It Came From The Archives “Rules for Vanishing: Not The Novel You’d Expect”
Jul 25, 2022
Friday Fiction: Join the Marionettes (Part 1 of 5)
Jul 22, 2022
The House with a Clock In Its Walls: Ticks Away Towards Bad
Jul 20, 2022
Dead End: Paranormal Park: Charming And Spooky
Jul 18, 2022
Friday Fiction: I Stand Upon The Moon
Jul 15, 2022
It Came From The Archives “Amphibia: Emotionally Different Cartoon”
Jul 13, 2022
Baymax! An Absolutely Delightful Little Show
Jul 11, 2022
Friday Fiction: Take A Spin Around Earth
Jul 8, 2022
Doctor Strange in the Multiverse of Madness: An Enjoyable Mess
Jul 6, 2022
Ms. Marvel is blissfully not part of the Marvel slush. It’s not rote or the same story again. Though dealing with a teenager coming of age, it’s not simply Spider-Man with a different protagonist. Instead—within the first three episodes—it becomes a family drama with the superhero aspects simply elevating the emotions.
Did your parents let you stay home alone when you were a teen? What age was it? Did you feel like you could handle it? And did you ever worry that something knew you were home alone?
I Am In Eskew doesn’t fit into the usual framework by which I’ve recently rated horror podcasts.
We’re in a golden age of nerdy media. Every time I think we’ve hit the pinnacle of high-budget media adapting or embracing something once only for the nerdiest of the nerds, another trailer comes out.
Ah, I see you’ve returned. So, you want to know where this nightmare is going, huh?
Everything Everywhere All at Once is a masterpiece. A culmination of increasingly popular science fiction topics, well-trodden philosophy, absurdist humor, and incredible fight choreography.
Rules for Vanishing is such a different book from anything we’ve reviewed on the site in a long time. It’s a dark medley of The Wizard of Oz, Lovecraftian Horror, and The Blair Witch Project.
Are you afraid of puppets, dear reader? Do dolls make you uncomfortable? There’s a reason they show up in horror so often.
The House with a Clock in Its Walls delighted at first but steadily worsened. The endless brownie points earned spent themselves too fast and left a husk of a film.
Dead End: Paranormal Park is a lovely show. I enjoyed the heck out of it. It’s also a show that I’m not equipped to talk about many of its themes, topics, and representations.
This is a melancholy one, folks. A short story, but a lot of emotions. It asks a dark question: can you find beauty at the end of the world?
Amphibia wants to make dark jokes and frog jokes, and it succeeds at both. Or at least that’s what the early episodes are about.
