Hello Tomorrow! is perhaps one of the most unique sci-fi shows to come out in a long time. It’s got such an odd combination of factors that somehow come together to deliver an engaging drama and mystery revolving around a big, central question. But, unlike a lot of other dramas, there’s no hero. This is a show where almost everyone is a scam artist—though some of them don’t actually know they’re running a scam.
Tales of the Underworld didn’t stick the landing. The second part—the Cad Bane part—is not nearly as good as Asajj’s section. The action isn’t as interesting, dynamic, or even as intense. Lightsaber fights are just way cooler than blaster standoffs unless you try really, really hard. And they clearly didn’t.
Like the previous “Tales” miniseries for Star Wars, Tales of the Underworld is not actually one narrative. It’s multiple stories bundled together under one theme. And because of that, I decided it would work better to review them separately. The first three episodes are for Asajj Ventress, and the last three episodes are for Cad Bane.
“Isle of Joy” is a fantastic episode. I am consistently enjoying the constant use of parallels between Fisk and Daredevil, and this time, it’s about love lives. It’s about interpersonal drama. How much of their “real” selves do they let through? How do others deal with them when they do?
Comparing the first three episodes of Murderbot to All Systems Red is a game of pros and cons. As a “fan” of the book series, I was obviously waiting for certain scenes and anticipating how well someone could play SecUnit, but the actual viewing experience was me going “that was good” followed swiftly by disappointment—and on and on it went.
“Art for Art’s Sake” is so settled into what I want from a gritty superhero show that it paradoxically doesn’t give me as much to talk about. The plotlines are converging, interacting, cracking open one another in ways I mostly expected.
Yes, finally! “Excessive Force” explodes with all the pent-up energy that this series has been waiting to use. It sets up the stakes and the dominoes so aggressively that there was never any question that Matt would become Daredevil, once again.
“With Interest” finally gives us a superhero episode. I said last review that I wanted the pot to boil over, and it basically did. Daredevil locks in, even if the mask hasn’t come on. I hadn’t expected the episode to break the seal being a very trope-heavy, classic superhero scenario, but, hey, it was a ton of fun.
“Sic Semper Systema” is a pure setup episode—and it’s the only reason it suffers. The last two episodes were a very clean arc, the White Tiger arc, and it ended brutally. But it also ended, and the fallout isn’t lingered on as much as I expected. It’s just bringing up the boil.
“The Hollow of His Hand” chronicles one of the most electric courtroom dramas I’ve seen in a long time. This may be because I only tend to watch certain genres and not typically legal thrillers, but the twists and turns, the emotional highs and lows, all contained within one episode, simply floored me.
The Electric State is terrible. A very generic plot with guessable moments at every stage only highlights how nonsensical the out-there worldbuilding becomes.
Perhaps incorrectly, I went into the first two episodes of Daredevil: Born Again almost without any prior knowledge. I haven’t seen the original Daredevil show past the first episode or two—and that was years and years ago. I wanted to see if this new series would be understandable. That way, if you, dear reader, are also in the same camp, I can help inform, one way or the other.
