“Restructuring” is a weird episode—mostly in its writing style. It’s juggling two very different conceits within one horror statement. And that becomes only more apparent when it’s clear that there’s nothing else of note in this episode. No big revelations. No multi-dimensional anything.
It was difficult limiting this to only ten favorite articles. Ultimately, it boiled down to a quirk of memory. Which ones, upon looking through the year, evoked the strongest memories, the most potent feelings.
Last year, I took a look at some of my favorite and least favorite pieces of media I reviewed for 2022.
I’ve written many articles this year and reviewed piles of movies, tons of shows, and even a few books. And while a lot of media flees my memory once I’m done reviewing it, a few things were so good and memorable that they’ve stuck with me throughout the year. And in the same vein, some media pieces were so disappointing that I still wish for a better version.
Independent filmmaking is an important part of American cinema. Films that aren’t tied to massive budgets or governed by large studios tend to be more free to take risks and explore new possibilities of stories and their telling.
The thing about reviewers and critics is that we sometimes get overwhelmed with the sameness of media—and thus crave anything unique.
Squid Game hits you and doesn’t stop. Episode two is so brutally hard to watch, so upsetting, that I couldn’t help but compare it to The Handmaid’s Tale in terms of emotionally affecting scenes.
If you’re reading this review of Fear Street: Part 3 – 1666 because you wanted to know if you should watch the whole trilogy, I’ll give you your answer: Yes.
The thing about reviewers and critics is that we sometimes get overwhelmed with the sameness of media—and thus crave anything unique.
Scifibloggers Wants To Review Your Art! Hello readers! It’s Brandon Scott here! Do you know what we don’t have enough of on the site? Stuff made by not-yet established creators and artists. The indie stuff. The exciting new stuff not yet on the radar of the average person. So, here’s the idea: we want some…
First Aired September 16th, 2018 In a flashback Martha (played by Tonya Pinkins) aka the Mystery Woman, comforts her husband after a car accident and is ignored by several driver when trying to get help. When he dies from his wounds and reanimates she puts him down and buries him, the next day she comes…
BEWARE: I spoil. Yes, I drew that on Paint. Yes, it looks like a 10-year-old made it, and so what? It’s a completely accurate depiction of the relationships between major groups in Orphan Black. There’s so much talk about the clones because they’re the stars of the show, but not nearly enough about the people…
