Friday Fiction: Hiding Inside The Cupboard
Is there a more classic spooky horror scenario than hiding from something or someone who’s looking for you?
By Brandon Scott on May 30th, 2025
Is there a more classic spooky horror scenario than hiding from something or someone who’s looking for you?
By Brandon Scott on May 28th, 2025
Comparing the first three episodes of Murderbot to All Systems Red is a game of pros and cons. As a “fan” of the book series, I was obviously waiting for certain scenes and anticipating how well someone could play SecUnit, but the actual viewing experience was me going “that was good” followed swiftly by disappointment—and on and on it went.
By Brandon Scott on May 26th, 2025
I think one of the most efficient ways to review “Wish World” is to describe a little bit of what it’s like watching “Wish World.” Because this is one of the weirdest, most unmooring episodes of Doctor Who I have ever seen.
By Brandon Scott on May 23rd, 2025
This is the tale of Marcus.
He has a monster inside of him. But not in, like, a metaphorical way. Somehow, by some mechanics, Marcus ends up with a being of immense knowledge inside his soul.
By Brandon Scott on May 21st, 2025
“Art for Art’s Sake” is so settled into what I want from a gritty superhero show that it paradoxically doesn’t give me as much to talk about. The plotlines are converging, interacting, cracking open one another in ways I mostly expected.
By Brandon Scott on May 19th, 2025
“The Interstellar Song Contest” only has one full song in it. The song is beautifully sung, and important to the plot, yes, but “The Church on Ruby Road” somehow gets a fully laid out song, with lyrics, and a dance number, and this one doesn’t? We get the full Mr. Ring-A-Ding number basically twice in “Lux,” but the scenes here keep cutting away for every performance? That’s so weird. This is a weird way to do this story.
By Brandon Scott on May 16th, 2025
I feel like, as these things go, you can already tell a lot of what this story is about from that title.
By Brandon Scott on May 14th, 2025
Yes, finally! “Excessive Force” explodes with all the pent-up energy that this series has been waiting to use. It sets up the stakes and the dominoes so aggressively that there was never any question that Matt would become Daredevil, once again.
By Brandon Scott on May 12th, 2025
“The Story and the Engine” is quite the writing feat. Of all of the episodes this season—or last season—it feels like it has the most going on. Plotlines are not only densely interlocked, but the foreshadowing happens quickly and frequently. And, somehow, this episode is also one of the most expansive for the overall magical lore of Doctor Who.
By Brandon Scott on May 9th, 2025
Last week, we looked at a dragon who enjoyed bacon—as well as some other fun monsters.
This time, the scale is a little higher, but the food involved is just food.
By Brandon Scott on May 7th, 2025
I sadly disliked “Lucky Day” more than I expected. I get the vision. The idea is sound. Frankly, like a lot of episodes in this season so far, this is such a cool idea for a Doctor Who episode. But as time has gone on, I’ve been less and less fond of this one.
By Brandon Scott on May 5th, 2025
“Public Image” is a classic little horror story of an episode. There’s the tiniest cut back to the OIAR, but mostly we spend all the runtime with Heinrich Unheimlich.