Elemental marks Pixar’s first romance-focused story since Wall-E, and as a fan of romance stories—yes, most people also find that surprising when they find out—I have to give it a glowing endorsement right off the bat.
Congratulations SAG-AFTRA! You fought hard and for so long, and you won! That’s so incredible! Your members help make the art we love possible, and it’s so wonderful to hear that you and the WGA struck a victory for the fair treatment of creatives!
Luca serves as another reminder of why Pixar has the reputation it does. Yes, stuff like The Good Dinosaur and the Cars franchise unsettled that a little, making it guesswork if the newest Pixar movie will be worth the time, but Luca is worth the time.
Hi, everyone! We get a lot of requests from artists and creators to review their work, and we want to cover more of those indie projects. To make that easier on our end and on yours, we’ve created a form where you can tell us about your project.
Nimona hit the media landscape with such explosive power that avoiding spoilers was difficult. A stylized, bombastic, irreverent sci-fi fantasy mashup with an animation style reminiscent of Spider-Verse and Puss in Boots: The Last Wish has become a winning combination, practically guaranteed to get the attention of the critic community, and I’m no different. The question of Nimona was when I would review it, not if I would.
The thing about watching Spider-Man: Across the Spider-Verse is there was no question of if the movie would be good. The first Spider-Verse movie was a revelation, an epoch for animation, and I barely mean that as hyperbole.
Even after all this time, I’m still impressed by Baymax—and that only proves my point. Good writing and excellent storytelling don’t need hours to wow an audience. Originally Published: September 28th, 2022 Short Art Has A Different Vibe Than Other Projects I love long-form content: epic scope books, five-hour video essays, and sprawling television shows….
So, I’ve noticed two recent trends that seem to be a byproduct of the huge influx of franchise films, specifically superhero films. They’re not so much a reaction as a necessity for things to go on as they are.
The Super Mario Bros. Movie, hereafter simply called The Mario Bros. Movie, was inevitable. In the media landscape that brought us Sonic the Hedgehog and gave The Matrix another sequel, the most famous video game character besides Pac-Man was bound to get the silver screen treatment (for the second time—I haven’t seen the previous one). And it’s kind of miraculous it turned out as well as it did.
To call Circle an intense film is to undersell it. Utilizing almost only a single location, this death game story touches upon politics, human nature, mercy, and bigotry. It uses a very simple premise and plays it straight and is one of the best-paced films I’ve seen in a long time.
I hope it’s clear how good I think Nope is by me actively not wanting to spoil anything. Usually, I keep these reviews as vague as possible about plot points, but I must be even more careful with this one.
Let’s get two things out of the way regarding Dungeons & Dragons: Honor Among Thieves. First off, I know some stuff about the game, but I’m not a hardcore TTRPG player. I got some of the abundant references—but a lot of them went right over my head, and my criticisms may be affected or skewed in some way by this. And second, it needs to be acknowledged from a pop culture history standpoint how cool it is that this film exists at all.
