Even after watching the first three episodes, The Bureau of Magical Things feels like a show that doesn’t exist. A hypothetical series a nerdy character might watch in the background of a scene. I’ve heard no one discuss The Bureau of Magical Things, reference it, or allude to it anywhere online in critic circles, yet it has all the trappings of a show that people make video essays about.
So, here we are: The end of The Owl House. Perhaps my all-time favorite animated series. I wish the third season had been more, had been an actual season, but this is the next best thing.
Let’s get two things out of the way regarding Dungeons & Dragons: Honor Among Thieves. First off, I know some stuff about the game, but I’m not a hardcore TTRPG player. I got some of the abundant references—but a lot of them went right over my head, and my criticisms may be affected or skewed in some way by this. And second, it needs to be acknowledged from a pop culture history standpoint how cool it is that this film exists at all.
I’m late to the party to review Thor: Love and Thunder. So late that I’ve been spoiled somewhat by consensus. Going in, I knew people didn’t like the goats and that the comedy was apparently overbearing.
Puss in Boots: The Last Wish has no business being as good as it is. The movie was barely on my radar until I heard it had an Oscar nomination.
Almost two years ago to the day, I reviewed Kid Cosmic. I said I wasn’t planning on continuing the show. Well, apparently, I lied. While eating dinner one day, I pulled it up and basically binged.
The School for Good and Evil is a fun fantasy movie with a surprising amount of narrative depth while also being goofy, self-indulgent, and occasionally seriously questionable. I’ll spend some time ragging on it, mostly for its botched train wreck of an ending, but if you want an escapist movie full of fairy tale shenanigans, this has some promise. Read the whole review to see what I mean.
Klaus is a heartwarming, magical, wonderful film that does what the best Disney and Pixar movies manage and is instantly a classic.
Wednesday is such an odd project conceptually. If you told me a few years ago that Tim Burton would direct a new show about The Addams Family that starred Wednesday in a paranormal high school and barely featured Morticia and Gomez—at least in its first three episodes—I would’ve called it a blatant nostalgia grab.
Hamster & Gretel hit my radar for one reason: it was made by Dan Povenmire. You likely know his voice and creations, even if you don’t know his name. He’s part of the team that made Phineas and Ferb, and he voices Dr. Doofenshmirtz.
It’s one day before December, but everyone who celebrates it already knows it’s Christmas time. There’s no escaping, and there’s no point in delaying it. So, we’re looking at Mickey Saves Christmas, a short special that disappointed me for reasons entirely my fault.
Wendell & Wild, out the gate, was something I knew I would review. A Henry Selick involved, stop-motion, punk-music soundtrack-ed, children’s horror movie co-written by Jordan Peele—are you kidding me with this? It’s no secret that Coraline is one of my favorite movies, and it’s widely known how much I like horror and macabre stuff.
