The Gorge is one of the best cosmic horror movies I have ever seen—for the very short time that it actually allows itself to be one. The other (much bigger) part of the movie is a mess. Full of weird decisions, a baffling ending, and so much else wrong with it.
WondLa is what a children’s television series should aspire to be. It’s kid-friendly but doesn’t disrespect its audience. It uses tropes but doesn’t fall into them completely. Despite having a very fleshed-out world to build, it doesn’t stop and shove exposition. At every point in the first three episodes, you are expected to pay attention to small details and look for answers to its many mysteries.
The Lazarus Paradox looked like it was going to be exactly my favorite type of show.
I don’t have that much to say about StuGo. Some cartoons are made with an adult audience as possible viewers, weaving in more intense plots for fandoms to form. You know them by name, if not by experience. Avatar: The Last Airbender. The Owl House. Gravity Falls. This show is not that, at least not within the first three episodes.
HELLO EVERYONE, may I have your attention, please?! You’ve been patient! You’ve been diligent! You’ve been loyal! Now, for demonstrating such tremendous qualities, such incredible attributes, such unbelievable resolve, you shall be rewarded! Friends, bloggers, Earthlings, lend me your ears! The time has come, yet again, for you to get your proper dose of excitement, adventure,…
Pluribus is a fascinating science fiction show with one of the most intriguing premises I’ve seen in years. For those that love the genre’s propensity for posing interesting, mind-expanding questions, this is it.
In a world of jaded critics & fans, and collapsing franchises, this one actually delivers.
Our superhero doesn’t yet know our villain’s powers.
But we do. It involves leaves.
But what exactly could that possibly mean?
A world where people have superpowers is always complicated.
Five humans went up into space for a secret mission. The mission has failed. Now, the only thing to do is send out messages and hope someone hears them.
Honestly, this is one of the most complicated stand-alone stories we’ve ever featured on Friday Fiction. It’s set in the future, with some comedy layered in, and then is also an apocalyptic horror story.
Possibly, this is the furthest in the future we’ve ever done for a Friday Fiction. The technology in “The Many Spaceships Of The Biggest City” seems possible, eventually, but it could be hundreds, if not thousands, of years before it would be on this level.
