It Came From The Archives! “Solitary: Big Story On A Small Budget”
The most impressive thing about Solitary is how few resources were used to make it. It’s microbudget, finished remotely due to the pandemic, and still a good film.
By Brandon Scott on Feb 27th, 2023
The most impressive thing about Solitary is how few resources were used to make it. It’s microbudget, finished remotely due to the pandemic, and still a good film.
By Brandon Scott on Feb 22nd, 2023
The Girls Are Never Gone is an interesting blend of concepts attached to a traditional ghost story. From The Twisted Ones to Horrid to even aspects of Harrow Lake, I already knew this story’s bones.
By Brandon Scott on Feb 13th, 2023
I wish I had more nice things to say about The Twisted Ones. Given how impressed I was with The Hollow Places, I expected another creative cosmic horror with a breezy pace. And while I will ultimately have several nice things to say about the book, it’s a step down in quality.
By Brandon Scott on Jan 25th, 2023
Black Panther: Wakanda Forever is perhaps the Marvel movie most affected by a real-world event. There’s no way to even examine this movie without taking into account the tragic passing of Chadwick Boseman. It feels inadequate to say that his portrayal of the character gave joy to so many people and that he will be missed by the world.
By Brandon Scott on Jan 16th, 2023
Almost two years ago to the day, I reviewed Kid Cosmic. I said I wasn’t planning on continuing the show. Well, apparently, I lied. While eating dinner one day, I pulled it up and basically binged.
By Brandon Scott on Jan 12th, 2023
Strange World wears its influences on its sleeve, and it informs a ton of the movie’s pacing, sense of adventure, and how it approaches danger in any scene. It’s based on old-school pulp comics, novels, and radio plays—even as someone who didn’t grow up with that being commonplace, it’s obvious.
By Brandon Scott on Jan 4th, 2023
The School for Good and Evil is a fun fantasy movie with a surprising amount of narrative depth while also being goofy, self-indulgent, and occasionally seriously questionable. I’ll spend some time ragging on it, mostly for its botched train wreck of an ending, but if you want an escapist movie full of fairy tale shenanigans, this has some promise. Read the whole review to see what I mean.
By Brandon Scott on Dec 12th, 2022
Wednesday is such an odd project conceptually. If you told me a few years ago that Tim Burton would direct a new show about The Addams Family that starred Wednesday in a paranormal high school and barely featured Morticia and Gomez—at least in its first three episodes—I would’ve called it a blatant nostalgia grab.
By Brandon Scott on Nov 21st, 2022
Wendell & Wild, out the gate, was something I knew I would review. A Henry Selick involved, stop-motion, punk-music soundtrack-ed, children’s horror movie co-written by Jordan Peele—are you kidding me with this? It’s no secret that Coraline is one of my favorite movies, and it’s widely known how much I like horror and macabre stuff.
By Brandon Scott on Nov 2nd, 2022
Tales of the Jedi is the newest addition to what I’m calling “The Clone Wars Cartoons.” The subsection of Star Wars content using the same animation style, (usually) short-form pacing, and politically dense writing. My experience with it has mostly been reviewing The Bad Batch and some early viewing of the Clone Wars cartoon and its long-ago movie.
By Brandon Scott on Oct 12th, 2022
The Midnight Club is a show of many layers. It’s a celebration of horror stories featuring horror stories happening within a bigger horror story.
By Brandon Scott on Oct 5th, 2022
There’s Someone Inside Your House initially got my attention because of that title. It’s almost hilariously blunt. The most standard slasher scenario reduced to a single sentence.