Ever taken a leisurely jaunt cycling around the neighborhood? How about the entire planet?
No matter the dimension, there’s paperwork. There’s bureaucracy. Sometimes it’s a necessary evil. Even weird magical things can have laws.
The world is so much bigger than we think. The skies stretch higher than most ever go, and the deepest depths of the ocean and Earth have never met human eyes.
No matter the world, there are mischievous children. Adventurous scamps that do things their parents don’t know about.
In a lighthearted Friday Fiction, we’ll meet one of them. Her name is Serela, and she’s on a quest. It might be past her bedtime, but she’s committed.
Oh good, you’re back. We needed you to finish this one. Brandon Scott may have placed the world, but it’s you exploring it.
Today, dear reader, we have a stylistic experiment. An interesting way to present a story. For those who don’t know, a “second person” narrative is a story told as if you were the main character.
Encanto is peak cinema. That’s a hot take, but it’s hard to argue against a movie made with this level of care, skill, and storytelling effort.
For those that don’t know, genre functions mostly as a marketing vehicle. It’s there to help sell it to the right customer base. That’s not to diminish your favorite genre, or any genre: that’s simply their base function.
Frequent readers will be familiar with my love of Magic: The Gathering. But I’ve recently been playing the Pokémon TCG. And, for your entertainment, I’ll dispense some of my initial impressions of the game.
I don’t understand Centaurworld. It defies comprehension to such a degree I want to investigate creator interviews or production notes.
Shang-Chi and the Legend of The Ten Rings is an incredible movie held down by only one thing: its hero’s journey parts. Unlike a lot of films dealing in mythical storytelling, its structure is a detriment.
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