Oh good, you’re back. We needed you to finish this one. Brandon Scott may have placed the world, but it’s you exploring it.
Today, dear reader, we have a stylistic experiment. An interesting way to present a story. For those who don’t know, a “second person” narrative is a story told as if you were the main character.
Encanto is peak cinema. That’s a hot take, but it’s hard to argue against a movie made with this level of care, skill, and storytelling effort.
For those that don’t know, genre functions mostly as a marketing vehicle. It’s there to help sell it to the right customer base. That’s not to diminish your favorite genre, or any genre: that’s simply their base function.
Frequent readers will be familiar with my love of Magic: The Gathering. But I’ve recently been playing the Pokémon TCG. And, for your entertainment, I’ll dispense some of my initial impressions of the game.
I don’t understand Centaurworld. It defies comprehension to such a degree I want to investigate creator interviews or production notes.
Shang-Chi and the Legend of The Ten Rings is an incredible movie held down by only one thing: its hero’s journey parts. Unlike a lot of films dealing in mythical storytelling, its structure is a detriment.
Hi there! The Fictionmonger is busy celebrating in his extra-dimensional bar, so Brandon Scott (that’s me) is stepping in to introduce today’s story.
My biases for Owl House on the table: I was so excited about everything I’d heard coming out of the show that I’d seen so many spoilers before I sat down to review the first three episodes of the second season.
This is perhaps the most evergreen article I’ve ever written. It is always relevant. And, since a lot of our readers are writers, it seemed worthwhile to bring it to the attention of anyone new to the site.
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