Your Name in SPAAACE!
Jun 5, 2023
Friday Fiction: It Desires Unchanging Things
Jun 2, 2023
The Bureau of Magical Things: A Fun Suprise
May 31, 2023
It Came From The Archives! “3 Easy Tips For Getting To Mythic Rank Faster”
May 29, 2023
Friday Fiction: Glitched
May 26, 2023
The Cellar Letters: A Badly Paced Horror
May 24, 2023
Disney Chills Review: Book #4: Be Careful What You Wish Fur
May 22, 2023
Friday Fiction: Label Maker
May 19, 2023
Announcing Writers of the Future Volume 39
May 17, 2023
The Super Mario Bros. Movie Knows What It Is
May 15, 2023
Friday Fiction: The 3 Powders
May 12, 2023
It Came From The Archives! “Circle: An Unfocused Death Game Movie”
May 10, 2023
Disney Chills Review: Book #3: Second Star to the Fright
May 8, 2023
Friday Fiction: The Sunlight Kid
May 5, 2023
Star Wars Forces of Destiny: Fun Little Adventures
May 3, 2023
Tantalus Depths is the kind of book that the right audience will love. It’s a solid combination of cosmic horror, somewhat-hard science fiction, and has sprinkles of space epic. And perhaps its biggest triumph is how it balances those three things in an organic, unfolding way that never feels like a hard genre shift.
Today, we have a type of story that’s been with humanity forever. There have always been stories of things children must not do or risk terrible danger.
I dismissed Lockwood & Co. during my first exposure to it. A random segment of the show I walked past didn’t impress me. But now, having seen the first three episodes, I must admit how wrong I was. This is not only one of the best recent paranormal thrillers/horror urban fantasies, but it’s a good show in any context.
I try my best to avoid spoilers or discourse about a piece of media before I review it. But I already know that I’m the odd one out. Because I have no particularly strong issues with Ant-Man and the Wasp: Quantumania—and the internet seems to have quite a simmering hatred.
Traveling across space is always dangerous. Space is an extremely hostile environment, and that’s before you account for how technology can fail in it.
I’m late to the party to review Thor: Love and Thunder. So late that I’ve been spoiled somewhat by consensus. Going in, I knew people didn’t like the goats and that the comedy was apparently overbearing.
The most impressive thing about Solitary is how few resources were used to make it. It’s microbudget, finished remotely due to the pandemic, and still a good film.
It’s a new week, and the conclusion is here.
Finally, we get a clue about the fantasy world you don’t want to visit.
The Girls Are Never Gone is an interesting blend of concepts attached to a traditional ghost story. From The Twisted Ones to Horrid to even aspects of Harrow Lake, I already knew this story’s bones.
Are you ready for the AI revolution? No, of course not. But don’t worry, it’s not like they’re going to take over the world… yet. In the meantime, let’s take a look at some of the latest and greatest AI applications around, and see how they’re making our lives easier (or at least, more interesting).
Well, we’re a little late with this one. But we promised a tale of a fantasy world you don’t want to visit, and now we’ve got it.
When you become a diehard fan of a type of media or genre (really any of them), you notice patterns. I’ve spoken before about storytelling patterns in the wider construct of narratives, but what I mean this time is tropes.
