“73 Yards” is a confusing episode. I’ll admit that immediately. I did not fully understand the plot of it. The inclusion of supernatural elements might have something to do with that, but the conclusion and middle section left me uncertain of even the magic’s rules.
“Slow Time Between the Stars” has almost no plot. And that’s perfectly fine. If you try to read it expecting a plot—or really even conflict—to arise, then you’ll be disappointed. This is pure idea-based science fiction. It’s continuous interesting ideas. That’s it.
“Boom” is an episode that is clearly trying to be as morbid and macabre as possible. The story’s insistence on bleak moments, casual character death, and tragedy is so frequent it’s almost overplayed. I can’t believe I’m calling for the horror to be toned down—but here we are.
“The Devil’s Chord” is too short of an episode. I mean this as a compliment—and a criticism of everything added to the episode that limits chances to tell more of this story. This should’ve been a two-parter. It needed to be a two-parter. It could’ve been a top-ten, all-time episode if only it had been a two-parter.
“Space Babies” doesn’t seem like an episode to start a season with. Doctor Who is no stranger to weirdness, not by a long shot—but this episode is not only weird, it’s also goofy.
“Just Out of Jupiter’s Reach” is a fascinating, humanist piece of science fiction. Despite having almost no conflicts, barely anything that counts as a propelled plot, it’s intriguing all the way through. Reading it instills so many emotions: sadness, joy, wistful nostalgia, and the exact type of curiosity that incredible concepts have all the power to invoke.
“The Long Game” is actually a story about very short periods of time and the exploitation of a species. Its title refers to one idea in the story, among a few different, some related, some not, concepts—and the greatest strength of this one, like “How It Unfolds,” is how interesting those ideas are.
“Falling Bodies” is an outlier, so far, in this collection. The concept of time does play a part in the story, but no more than any story that deals with someone’s past. There are plenty of sci-fi elements, but it takes place on a normal time scale.
“Void” is a murder mystery story, front and center. And, with as much forthrightness, I’ll admit to my lack of knowledge of the subgenre. I don’t know the conventions.
The Murderbot Diaries is one of those series that is super popular and well-regarded, but it was not really on my radar until I went into this review for its first book, All Systems Red.
“How Things Unfold” is beautiful, devastating, heartbreaking, hopeful, fascinating, imaginative, and yet so much more. It’s a short story that captures a human message while delivering a sci-fi concept that feels original. And all of that in such a short page count.
I’m late to the Marvel’s What If…? party. But now that I’m here, it turns out I’ve been missing out. I love anthologies and especially considering some of the lackluster Marvel entries in the main canon lately, it’s a ton of fun to see the cast play out these alternative stories.
