“Terms and Conditions” is an odd little episode. I’m unsure of the goal, to be frank. Besides the last two scenes, it’s just kind of mildly spooky stuff happening. Maybe that’s just a testament to how subtle the foreshadowing is, but I doubt there were that many big clues in the Bonzo section. It’s just Bonzo being Bonzo.
“Eliminations” is exactly what I wanted. In my article for “Peer Review,” I said I would like to please check in on Sam, and this over-delivered. We get a whole episode set over in The Magnus Archives world.
“Peer Review” Lacks One Important Horror Aspect “Peer Review” is evocative of a classic episode. I liked it quite a bit. The writing is strong and the voice acting stellar. But it did lack this one point of magic that The Magnus Archives has. It’s the implication of explanation within the horror. In other words,…
“The Hollow of His Hand” chronicles one of the most electric courtroom dramas I’ve seen in a long time. This may be because I only tend to watch certain genres and not typically legal thrillers, but the twists and turns, the emotional highs and lows, all contained within one episode, simply floored me.
The Electric State is terrible. A very generic plot with guessable moments at every stage only highlights how nonsensical the out-there worldbuilding becomes.
“Restructuring” is a weird episode—mostly in its writing style. It’s juggling two very different conceits within one horror statement. And that becomes only more apparent when it’s clear that there’s nothing else of note in this episode. No big revelations. No multi-dimensional anything.
Perhaps incorrectly, I went into the first two episodes of Daredevil: Born Again almost without any prior knowledge. I haven’t seen the original Daredevil show past the first episode or two—and that was years and years ago. I wanted to see if this new series would be understandable. That way, if you, dear reader, are also in the same camp, I can help inform, one way or the other.
“Compartmentalising” confirmed so many of my theories. I feel quite proud of myself, actually. After consuming so many episodes of The Magnus Archives and making it a part of my personality, I was hoping I’d gotten a good enough sense of things to predict matters.
Exit Strategy Shouldn’t Work As A Sci-Fi Book I don’t understand how Murderbot (the book series) keeps getting away with this. Exit Strategy is a slog to read for so long, with exposition being thrown at you with a density I am unsure how anyone is expected to navigate. But, by the end of it,…
The Mightnight Sky is bleak. A sense of loss, sadness, and more just permeates every moment of this movie. Even the biggest moment of levity made me tense, not relieved. And you really have to be in the right headspace to enjoy it.
The Fantastic Four: First Steps teaser is a fascinating look at the current cultural interests, and especially what Marvel has learned from its other projects. The aesthetic, from moment one, is so very distinct—and so very familiar.
Paradise is one of the best-written shows I’ve seen in a long time. It’s intricate without being confusing. Multi-layered without pulling away from its core storytelling. And gives answers to its many posed questions at a good enough pace that it’s always surprising that there’s another layer of mystery to uncover.
