Dark Matter takes a premise I’ve certainly covered before. Everything Everywhere All at Once dealt with relationships across multiple dimensions, and what it means to want a different life than you already have. But, while I will not claim Dark Matter is a better show than All at Once is a movie, I will say that this series presents a fascinating alternative to multiverse fiction—both in the story and in its storytelling.
Agatha All Along has two episodes to watch at the time of writing, with a third on the way—and I must say, I’m excited for that third episode. I was shaky on this series, unsure of what to expect, but now I see the vision. Now I see what this show actually is.
Rebuild The Galaxy was an absolute treat. A series that has no business being as good, as dramatic, and as funny as it is. Though it was already clear from several Lego movies that the “medium” of those bricks could result in good storytelling, this once again blew me away.
“Dead End Job” is kind of a bad episode. Surprisingly, it’s subpar. I had been all geared up for a big reveal, an answer for what is happening. A nice little exposition moment. And while we got one—and I didn’t guess it beforehand—it wasn’t even that big of a revelation. Also, it’s not a revelation I particularly like.
“Keyed In” is a weird episode. Not a lot of it is explained or even seems to follow much of a plot. I more mean this for the anthology story, but even the other stuff is kind of odd for a Magnus Protocol episode.
Tales of the Empire Tells Us Parts Of A Whole Story After having such a good time reviewing Tales of the Jedi, I figured that Tales of the Empire would be similar. That it would also contain a bunch of interesting looks at the history of various familiar characters. But I wouldn’t call these characters…
Artificial Condition continues my internal war with how I feel about The Murderbot Diaries. Despite it being more technobabble than almost anything else, the story remains intriguing and engaging off the back of the main conceit: what if a rogue AI designed to kill wanted to be left alone to watch television?
“Interruptions” doesn’t interrupt in the way I had expected. Given that the episode, for a time, kept flitting to different moments around the office, I had assumed that the entire runtime would take place there. No statement. No anthology elements. A true interruption from the status quo.
“Driven” is such an interesting episode because of how much it’s a different subgenre than is typical of The Magnus Protocol. Yes, the events are horrific in concept. Yes, there are some obvious parallels to the very first episode of Archives. Yes, it has cosmic elements. But the nature of the narrative is more like reading a paranormal investigation story.
“Catching Up” is such an improvement from the last two episodes. It’s weird and horrific and takes its time to build to the horror. And the horror story both informs the overall story and works on its own. It’s an excellent entry.
I didn’t like “Gut Feelings” all that much. I can’t say since “Pet Project” has an episode been this much of a dud. The premise is strong, the ideas—in theory—scary, and the writing certainly got across the ideas the episode wanted to achieve…but I just didn’t like it.
“Raising Issues” has three parts, and none of them feel all that connected to each other. The main thing is that they, yes, involve characters “Raising Issues.” I’ve been amused by the pun titles of The Magnus Protocol throughout, but this might be the most creative use of it.
