“With Interest” finally gives us a superhero episode. I said last review that I wanted the pot to boil over, and it basically did. Daredevil locks in, even if the mask hasn’t come on. I hadn’t expected the episode to break the seal being a very trope-heavy, classic superhero scenario, but, hey, it was a ton of fun.
“Sic Semper Systema” is a pure setup episode—and it’s the only reason it suffers. The last two episodes were a very clean arc, the White Tiger arc, and it ended brutally. But it also ended, and the fallout isn’t lingered on as much as I expected. It’s just bringing up the boil.
“The Hollow of His Hand” chronicles one of the most electric courtroom dramas I’ve seen in a long time. This may be because I only tend to watch certain genres and not typically legal thrillers, but the twists and turns, the emotional highs and lows, all contained within one episode, simply floored me.
The Electric State is terrible. A very generic plot with guessable moments at every stage only highlights how nonsensical the out-there worldbuilding becomes.
Perhaps incorrectly, I went into the first two episodes of Daredevil: Born Again almost without any prior knowledge. I haven’t seen the original Daredevil show past the first episode or two—and that was years and years ago. I wanted to see if this new series would be understandable. That way, if you, dear reader, are also in the same camp, I can help inform, one way or the other.
The Mightnight Sky is bleak. A sense of loss, sadness, and more just permeates every moment of this movie. Even the biggest moment of levity made me tense, not relieved. And you really have to be in the right headspace to enjoy it.
Paradise is one of the best-written shows I’ve seen in a long time. It’s intricate without being confusing. Multi-layered without pulling away from its core storytelling. And gives answers to its many posed questions at a good enough pace that it’s always surprising that there’s another layer of mystery to uncover.
Much has been said, no doubt, about the social satire inherent to Severance. It’s the most immediate aspect of the show—and only continues to become more aggressive as the series continues. But I am not the reviewer to talk about its accuracy to either the feelings inherent to such a type of work or the setting’s accuracy.
Before reading this review of Dune: Part Two, I urge you to look at my previous one. It simply saves us some time. The issues of Dune: Part One carry over—as does much of the praise. As is ideal for the second part of a two-parter, this feels like the natural continuation. The long play simply had an intermission. Dune: Part Two assumes you recently watched the previous film and explains little to nothing.
Dune: Part 1 is a long movie covering only part of an even longer book, with a ton of history behind it, and I am writing this without having read the book. In 2025. And, frankly, there’s so much baggage here that I am not equipped to talk about. You can tell it’s not a story written in the modern day.
Well, “Joy to the World” gave me a little more Doctor Who, but now I must wait, yet again. The new season won’t be starting for a while now—and all I’ll have is the trailers. Or, in this case, a teaser trailer. Which, as far as I can tell, just means it’s way shorter.
Wallace & Gromit: Vengeance Most Fowl was not a movie I was expecting to exist. I only have vague recollections of the movie where we first met our evil penguin antagonist. But Chicken Run: Dawn of the Nugget returned, so why not this?
