The Hunger Games trilogy is important to me. I read the series right before the craze hit. To this day, it may be the first fandom I was on the ground floor for. I recall seeing every movie quickly after they came out.
Let it be known that any and all praise I have for Something Very Bad Is Going to Happen is negated if it turns out that the main couple was dead all along.
Star Wars: Maul – Shadow Lord is so good it’s actually a little difficult to review. I can recall when the first Clone Wars animated series came out, and to see the constant evolution since then has been stunning. Even the much more recent Star Wars: Tales of the Underworld cannot match Maul’s excellence.
I’ll admit—though it’s not exactly a secret—that I sometimes like doing negative reviews. I don’t typically seek out movies/shows because I think they’ll be bad, but I’m not unhappy when it happens.
Mike & Nick & Nick & Alice is an odd movie. Full of so many very deliberate choices. I cannot confirm this, but I couldn’t help but feel the creators were going for a very specific homage, or were perhaps trying to replicate a distinct director’s style.
The Astronaut tricks you into thinking it’s a good movie. It’s not. God, is it not. I haven’t had a movie disappoint me so deep into its runtime in forever. The opening scenes hook you in with a cool mystery and then plays with expectations in a way that suggests solid writing is yet to come…and then it all goes speeding downhill.
Ash is a good movie in hindsight. The plot is full of interesting ideas and has lots of fun clues to analyze after the fact (though bright lights/flashing warning). But the first parts of the movie—despite its best efforts—are fairly dull for anyone who has some experience with horror storytelling.
Cleopatra in Space is baffling on every level. Someone with deep pockets or a large group of people clearly loves this idea/story/concept so much that they have thrown an inordinate number of resources at it.
I wonder if episodes of Starfleet Academy took Star Trek concepts and tried to find ways to make them fit into generic college/high school plots, or if the show started with those tropes and then figured out how to make them fit the world building.
Hello Tomorrow! is perhaps one of the most unique sci-fi shows to come out in a long time. It’s got such an odd combination of factors that somehow come together to deliver an engaging drama and mystery revolving around a big, central question. But, unlike a lot of other dramas, there’s no hero. This is a show where almost everyone is a scam artist—though some of them don’t actually know they’re running a scam.
Never have I cringed so hard at the first moments (after a flashback) of a great show than Wonder Man. Though it establishes Simon as our main character effectively, it’s mostly focusing on his flaws, and they are brutal flaws for someone in his life circumstances. I wanted him to please, please just read the room and understand how bad a decision he’s making. I know enough about the world of movies and television to see how he was causing everyone else’s issues.
Extraordinary is well-named. It indeed does go beyond what you would expect of a raunchy comedy, especially given the initial premise.
