“Breaking Ground” is another exposition episode, mainly serving to establish a few more pieces of information about the “Protocol” that we’ve heard so much about. This doesn’t make it a bad episode—or even a mediocre one—just that it doesn’t have much in the way of a self-contained story. It doesn’t have the time to build to much tension.
The Luminous Dead is perhaps one of the hardest reviews I’ve done in a long time. The nature of the work has clashed with my usual operations.
“What?” I asked the figure, not sure what I was hearing. “What do you mean—?”
There was a rush. The ground met me, and I kept going.
“Rogue” is a fun enough episode that could’ve been better with more time. Or, ideally, being split into a few different episodes. The pacing, storytelling, and character motivations suffer because we need to have four separate stories interlocking with each other.
“Dot and Bubble” is maybe my favorite episode of the new season so far. Yes, it does rely on a tired critique of people overusing cell phones for its whole premise to work, I won’t deny that—but, if you can accept that slightly cringey idea, this is one of the most poignant, emotionally devastating, and interesting episodes we’ve gotten since “Wild Blue Yonder.”
Turns out, our main character is going to need to talk to many more people than one ghost.
And to get to this next person, it’s time to see more of this magical city. It’s time to go to the docks, where magical portals are very common.
“73 Yards” is a confusing episode. I’ll admit that immediately. I did not fully understand the plot of it. The inclusion of supernatural elements might have something to do with that, but the conclusion and middle section left me uncertain of even the magic’s rules.
“Slow Time Between the Stars” has almost no plot. And that’s perfectly fine. If you try to read it expecting a plot—or really even conflict—to arise, then you’ll be disappointed. This is pure idea-based science fiction. It’s continuous interesting ideas. That’s it.
The time is the far future.
The crime is murder.
And the detective is very good at his job.
“Boom” is an episode that is clearly trying to be as morbid and macabre as possible. The story’s insistence on bleak moments, casual character death, and tragedy is so frequent it’s almost overplayed. I can’t believe I’m calling for the horror to be toned down—but here we are.
“The Devil’s Chord” is too short of an episode. I mean this as a compliment—and a criticism of everything added to the episode that limits chances to tell more of this story. This should’ve been a two-parter. It needed to be a two-parter. It could’ve been a top-ten, all-time episode if only it had been a two-parter.
Do you ever wonder what aliens use to communicate with each other?
Well, in this story, the answer is cell phones.
