Before listening to The Storage Papers, I never thought a podcast could scare me as much as The Magnus Archives. That the mind-melting, the dark-is-dangerous thrill it gave me was the peak of horror storytelling.
Spider-Man: No Way Home is the type of movie that could only exist in this new media environment. The draw is the spectacle of connecting reboots and pulling in actors to reprise long-gone roles.
Ghostbusters: Afterlife has several excellent moments, a great protagonist, and a heartfelt core, yet is underwhelming in a lot of ways. Those who watch it will remember it mainly for its fan service, and though that’s kind of the point—it’s not great we have a lot of movies made with that in mind.
My reviewing of Turning Red has to, by the sheer presence of its theming, contain caveats. It’s a movie that has a heavy focus on periods and mother-daughter conflicts during adolescence. As an adult male reviewer, it’s not my place to speculate on how true to life this movie is. I’ve simply not grown up as a teenage girl.
The Magnus Archives is a podcast—and after 200 episodes, I’ve listened to the whole thing. Twice before, I’ve spoken about the series and how it progressed, and now we can bring the talk home to roost.
I watched the entirety of Centaurworld after the review. The madness I spoke many words about wouldn’t leave my mind, and the inherent darkness of the series intrigued me.
The Cuphead Show! is an anomaly in the modern media landscape. Not because it’s a cartoon adaptation of a video game—that’s becoming a lot less rare. No, The Cuphead Show! is unique because it’s a classic cartoon made in the modern day.
Encanto is peak cinema. That’s a hot take, but it’s hard to argue against a movie made with this level of care, skill, and storytelling effort.
For those that don’t know, genre functions mostly as a marketing vehicle. It’s there to help sell it to the right customer base. That’s not to diminish your favorite genre, or any genre: that’s simply their base function.
Frequent readers will be familiar with my love of Magic: The Gathering. But I’ve recently been playing the Pokémon TCG. And, for your entertainment, I’ll dispense some of my initial impressions of the game.
The House is an interpretive art piece. The creators had a point to make, and a message to send—but I’ve yet to figure out what that message was.
Watching The Wheel of Time is a real-time game of deciding whether the show will do something cool, or rote and overplayed.
