Friday Fiction: Hiding In Plain Sight (Part 3)
Welcome back for Part 3. The final part. The conclusion.
In it, our narrator will find the Hidden Gnasher—but it won’t be how you maybe expected.
By Brandon Scott on Jul 25th, 2025
Welcome back for Part 3. The final part. The conclusion.
In it, our narrator will find the Hidden Gnasher—but it won’t be how you maybe expected.
By Brandon Scott on Jul 23rd, 2025
I was so concerned during the first half of “Bad Magic.” Nothing seemed to be happening. Riri was sitting in her trauma, and getting increasingly paranoid, but I was genuinely worried that nothing would push the plot forward until the next episode.
By Brandon Scott on Jul 21st, 2025
“Sink or Swim” is a disturbing, creative episode that would’ve likely creeped me out if I weren’t very used to these kinds of stories. Sometimes, horror media still “gets me,” and I jolt a little, but I was mostly just enjoying the little clues that I picked up as it went.
By Brandon Scott on Jul 18th, 2025
Not every monster is a scary, massive thing, as this story proves.
In our second installment of “Hiding In Plain Sight,” our protagonist is now trapped in a room with something so small that he can’t be sure where it is, but it’s quite capable of hurting him.
By Brandon Scott on Jul 16th, 2025
“We in Danger, Girl,” could best be described as the consequences episode. Many, many plotlines set up over the last two episodes are all collapsing in. Basically, nothing is going right for the characters—and it was the perfect choice for this show.
By Brandon Scott on Jul 14th, 2025
Why wasn’t “Hostile Workplace” the episode we got when the series returned from a hiatus? It’s much, much better than “Internal Investigation,” and reveals a ton of plot information without giving the game away. A single speculation from Sam about how alchemy works was honestly enough to make my mind go whirring. Not to mention the statement.
By Brandon Scott on Jul 11th, 2025
Some worlds have monsters. This is one of them—but they’d done a very good job of containing them. They are objects of study, as much as horrible dangers.
When they get out, though, they are only one of those things.
By Brandon Scott on Jul 9th, 2025
“Reality Check” is—drum roll please—a great episode of Revival. Perhaps the first even good episode of Revival. It actually flowed properly and felt like it was utilizing the interesting questions at the heart of its premise while maintaining solid, cohesive plotlines. I wasn’t frustrated; I wasn’t thrown off. The episodic and the serialized nature of this story are finally working in harmony.
By Brandon Scott on Jul 7th, 2025
The wait is over, but “Internal Investigation” was not worth that wait. The hiatus made me think that we would get a bombshell of an episode once we returned to The Magnus Protocol. I was wrong. Not only is this episode not scary, it barely gives us any new information for any of the ongoing mysteries.
By Brandon Scott on Jul 4th, 2025
We’ve done a lot of high-concept stories on Friday Fiction. Ones where the technology or magic is very obvious, and part of the story in big ways.
But not every fantasy story has to have such flashy moments. Sometimes, it’s nice to settle into a more personal, quieter tale.
By Brandon Scott on Jul 2nd, 2025
“Straight to Hell” is exactly the kind of finale I would want from this show if I had speculated one from the beginning. All the pieces of the puzzle slam together in a violent, intense, dramatic crescendo. And—amazingly—without absolutely ruining the storyline’s gravitas by wrapping things up too fast or forcing everything back into the status quo. I’ll say it again in the final paragraph, but this is quite the way to get people hyped for the next season. I am hyped for the next season. I cannot imagine how they’ll continue this storyline—or what it might do to the broader MCU canon.
By Brandon Scott on Jun 30th, 2025
“Will the Real Natalie Please Stand Up?” is a terrible continuation of Ironheart. It has a lot of fun moments. It highlights both the fun science fiction concepts it’s playing with—and, to a lesser extent, magical concepts—while giving us an action-packed, CGI-packed heist scene. But it also, jarringly, has the same “convenience” factor to its narrative that plagued “Bring Me Home,” but to a much, much, much worse degree.