The Astronaut tricks you into thinking it’s a good movie. It’s not. God, is it not. I haven’t had a movie disappoint me so deep into its runtime in forever. The opening scenes hook you in with a cool mystery and then plays with expectations in a way that suggests solid writing is yet to come…and then it all goes speeding downhill.
Ash is a good movie in hindsight. The plot is full of interesting ideas and has lots of fun clues to analyze after the fact (though bright lights/flashing warning). But the first parts of the movie—despite its best efforts—are fairly dull for anyone who has some experience with horror storytelling.
Cleopatra in Space is baffling on every level. Someone with deep pockets or a large group of people clearly loves this idea/story/concept so much that they have thrown an inordinate number of resources at it.
Hello Tomorrow! is perhaps one of the most unique sci-fi shows to come out in a long time. It’s got such an odd combination of factors that somehow come together to deliver an engaging drama and mystery revolving around a big, central question. But, unlike a lot of other dramas, there’s no hero. This is a show where almost everyone is a scam artist—though some of them don’t actually know they’re running a scam.
The Gorge is one of the best cosmic horror movies I have ever seen—for the very short time that it actually allows itself to be one. The other (much bigger) part of the movie is a mess. Full of weird decisions, a baffling ending, and so much else wrong with it.
WondLa is what a children’s television series should aspire to be. It’s kid-friendly but doesn’t disrespect its audience. It uses tropes but doesn’t fall into them completely. Despite having a very fleshed-out world to build, it doesn’t stop and shove exposition. At every point in the first three episodes, you are expected to pay attention to small details and look for answers to its many mysteries.
The Lazarus Paradox looked like it was going to be exactly my favorite type of show.
I don’t have that much to say about StuGo. Some cartoons are made with an adult audience as possible viewers, weaving in more intense plots for fandoms to form. You know them by name, if not by experience. Avatar: The Last Airbender. The Owl House. Gravity Falls. This show is not that, at least not within the first three episodes.
HELLO EVERYONE, may I have your attention, please?! You’ve been patient! You’ve been diligent! You’ve been loyal! Now, for demonstrating such tremendous qualities, such incredible attributes, such unbelievable resolve, you shall be rewarded! Friends, bloggers, Earthlings, lend me your ears! The time has come, yet again, for you to get your proper dose of excitement, adventure,…
Pluribus is a fascinating science fiction show with one of the most intriguing premises I’ve seen in years. For those that love the genre’s propensity for posing interesting, mind-expanding questions, this is it.
In a world of jaded critics & fans, and collapsing franchises, this one actually delivers.
Our superhero doesn’t yet know our villain’s powers.
But we do. It involves leaves.
But what exactly could that possibly mean?
