Categories: The LatestTV

TONIGHT ON: The Leftovers (11/22/2015)

NOTE: Spoilers below re season two of The Leftovers.

At the outset of this season of HBO’s ambitious original series, The Leftovers, we saw last year’s precarious finale get knocked right off its hinges by a brutal yet beautiful opening that seemed unrelated to the series as a whole. I gave my first impressions of this after viewing it, in which I clarified my take on the connection, among other things, and have since not written anything for Sci-Fi Bloggers in relation to show. Why? Well, outside of being quite busy on a project irrelevant to this article, it was hard for me to decide whether this show was appropriate for an online magazine of this nature. We report on, discuss and create fiction based on a general policy of overt fantasyovert sci-fiovert supernaturalismThe Leftovers however, has been wrapped in ambiguity since day one. It is not a show wherein the story, its characters, its ideas, its purpose, are of an obvious nature, which is probably why it has garnered such an intellectual fan base. It is a show that involves choices made by its creators in order to incite discussion, interpretation, community. It is not simply a mystery of plot but of point as well. This is why it’s so good…

…so damn good.

Now, all that being said, there is clearly some narrative structure that exists in the show, a degree of direction present. I am a part of multiple groups that discuss what that direction is every week. In one of them, I revealed my thoughts on what I think the show is on the verge of doing. I am now going to reveal my theory.

Again, since the series’ premiere, it has been unclear whether or not the majority of supernatural beings, instances, etc., are in fact what they appear to be. The only abnormal occurrence that we can be sure of is the Sudden Departure. Everything else is fair game.

Everything except last week’s episode.

In “A Most Powerful Adversary”, my theory is that the creators of the show, who often try to blur the line between what is real, what is fake, what is “magic,” what can be easily explained, finally decided, in the show’s final minutes, to pick a side. Do I know this for certain? No. Do I have evidence to this effect? Yes.

Throughout the episode’s run, we were greeted by various scenarios that created division amongst fans. What I mean is this: there were certain things that just seemed impossible to logically explain, but there were other moments that led us to believe that everything “mysterious” about the show could be attributed to a source of some kind, a tangible, real source.

THINGS WHICH SUPPORT “WACKYTOWN” THEORISTS:

  • A scene takes place wherein Patti is able to perceive and communicate about the “duck” flash card without Kevin ever glancing at it. I’m not necessarily sure how this could be explained in real world terms (outside of it being a plothole), but it certainly does give the impression that Patti’s awareness is separate from Kevin’s, that the two are not directly linked as suggested later on by Laurie.
  • Let’s also not forget that Patti was blocking the key to Kevin’s handcuff (nice symbolic touch by the way, having him walk around with that the entire episode). Now, Kevin could have easily occluded his perception of Nora’s note, but that’s quite the occlusion there. Then again, hallucinations have been known to manifest in highly detailed forms before, so I’ll say this one’s a little more ambiguous.

THINGS WHICH SUPPORT “REALSVILLE” THEORISTS:

  • There’s the obvious one, which is that Laurie, a trained mental health professional, made the correct diagnosis and Kevin’s just having a “psychotic break,” but there is a more subtle piece of evidence supporting this as well, which Laurie only really suggests once, but she does so on a highly intellectual basis (see this one below).
  • Patti, for the most part, seems to only appear at points where and when she would technically be in power. She is never on the receiving end of Kevin, not really. She’s never truly been wrong in a scenario in which she has appeared, and all she’s ever done is gotten Kevin to be more honest. However, if she isn’t real, Kevin shouldn’t need her to be honest. He shouldn’t need anyone. Which is a key element of their relationship: he seems to need her in times when he can’t really confront things. Simply put, Patti only exists when Kevin cannot confront or accept something. That’s why she wouldn’t show up where Laurie was, because Laurie’s sensible nature allowed him to actually confront the potential truth, that he is losing his mind.

I selected whether or not Patti is in fact real as my central argument because that debate can be held over any other consideration like an analogous filter. To elucidate, if one were to think with every strange situation in The Leftovers the way they look at the Patti Dilemma, they would find that they could more analytically dissect the franchise as a whole.

And that is what I believe this show did last episode and is about to continue to do. We have essentially been given as many tools as possible to look upon the series as a whole and say, “Okay, now I get it.”

With this lens (no pun intended) in mind, I have sieved many different possibilities regarding what happened to our beloved hero this season. I will provide the four easiest to explain right now (which of course will be divulged in a crudely simplistic manner):

  1. Kevin and Virgil are dead.
  2. Kevin is dead and Virgil is his ghost guide helping him conquer his inner demons.
  3. Kevin is in a coma and everything Virgil said is bullshit but the shock of being out like that could be such a huge reality check for Kevin that Patti disappears altogether when he wakes up.
  4. Kevin is in a coma, Virgil’s still bullshitting, and Patti will never leave. Hail Hydra.

For the time being, this is my take on what’s happening narrative-wise. We’ll never know what happened to the Departed, but you can be damn sure we’ll find out what’s happening to The Leftovers…

…I think.

P.S. – The main poster for this season says “begin again” on it. Knowing Lindelof and Perrotta, that can have many meanings.

If you’d like to be a part of a great group that discusses HBO’s The Leftovers, you can join The Leftovers Chat on Facebook. Wonderful people there.


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Comments

D. Alexander

Stories are important. Stories feed the mind and inspire the heart. They lift the spirit and challenge the imagination. They have the ability to predict what the future will be, and have the power to reveal the past in a light unseen before. Stories take people to worlds they thought never existed, worlds they thought couldn't exist. But they can, and they do. Stories make them a reality. Stories make them into truth. Don’t underestimate them (don’t tell me you haven’t before, we all have, even me). They are, collectively, the gateway to utopias, dystopias, kingdoms, planets and universes unlike anything on Earth—or, in some cases, all too much like Earth. Stories can wake people up from their brainwashed states and get them active in the world, doing things they wouldn't have had they not heard or read or seen them. Stories can save lives. DO NOT UNDERESTIMATE STORIES, AND DO NOT UNDERESTIMATE YOUR ABILITY TO CREATE THEM.

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